studio/street

Glyphars
Ragis

found
wood,
thread,
glue,
paint

h: 25"
l: 16"

2013
Glyffiti

red
poster
paint
on top of
graffiti

Lafayette
Soho
Glyphar:
Dalxo

street
found 
wood.
thread,
glue,
paint

h: 4'
l: 2'

2013
Glyffiti

black
gesso
paint on
graffiti
and
torn
posters

Bowery
2012
Glyphar:
Hanix


street
found 
wood,
glue,
thread,
paint

h: 17"
l: 10"

2013
Glyffiti:

black
poster paint
on torn
posters
and graffiti

Bowery
Glyphar:
Tozzo

found 
wood,
glue,
thread,
paint

h: 20"
l: 16"

2012
Glyffiti

gesso
on blank
poster

Wooster
St.

Soho
Glyphar:
Timbro


found wood,
tread, glue,
paint

h: 14"
l: 11"

2008 
Waterglyph

water on
rock

erasure by
evaporation

Wismar
N. Germany
Glyphars:
Llano

found
wood,
thread,
glue,
paint

h: 28"
l: 22"

2013
Glyffiti

gesso
on 
board
and torn
posters

Tribeca
Glyphar:
Okso

found
wood,
glue,
thread,
paint 

h: 12"
l: 11"

2007
Glyffiti

gesso on
board and
torn
posters

Broome
Street

Soho
Glyphar:
Thunon

found 
wood
fragments,
thread,
glue,
paint 

h: 12"
l: 13" 

2013

Glyffiti

gesso on
graffiti
and torn
posters

Grand St.
Lower
Manhattan
Glyphar:
Xangi

found
wood,
thread,
glue,
paint


h: 15"
l: 10"

2010
Glyffiti

drawing of
animal added
to and below a
graffiti tag
(which becomes
the deer's
antlers)

Grand St.
Glyphar:
Bavaar

h: 16"
l:  11"

found
wood,
glue,
thread,
paint 

2011
Waterglyph

water on rock:
erasure by
evaporation

Ireland
2009

recalling the Origins

Glyphars: constructions made with wood fragments found in the streets, construction sites, studio floors: with glue, thread, paint

Glyffiti:  images drawn on top of graffiti and torn posters in the streets: poster paint or gesso.  I draw mostly animals in recollection of the earliest visual comunications we have: the glyphic scratchings and paintings on desert rocks and in mountain caves.

My approach is instinctive.  I draw in the streets because the graffiti strewn surfaces are my cave walls.  Often I feel that the Ancestors are speaking though me, recalling into the modern age the source of all our visual languages. 

Contact with the deep Past expands our understanding of our inheritance and its potential.